Canon VIXIA G60 4K Video Camera

Canon has announced two new 4K video cameras, the LEGRIA HF G50 and LEGRIA HF G60.  Like usual from Canon’s consumer line, the products are overpriced, underwhelming, but ultimately useable.  The lack of 4K 60FPS is supremely disappointing.

Canon HF G50:

  • 20x optical zoom IS
  • 4K sensor
  • 30FPS
  • f/1.8 to f/2.8 lens aperture

LEGRIA HF G60 Key features

  • 15x optical zoom IS
  • 1.0 inch 4K sensor with Dual Pixel CMOS AF
  • 30FPS
  • f/2.8 to f/4.5 lens aperture
  • $1700

Canon XF400 and XF405 Autofocus

We thought 1-inch sensor 4K camcorders would hit the market sooner than they did. Regardless, we’re glad to see them showing up. Autofocus matters hugely on these since they will be used for more ENG and event purposes than their larger-sensored siblings. Canon’s dual pixel autofocus has proven useful on their cinema cameras and appears promising on the XF400 line.

Canon C200 6 Month Review

We can’t forgive Canon for what they did this to camera. It’s a decent camera but it could have been so much better if Canon wasn’t being Canon (your options are basically a crappy codec or raw with nothing more practical in between, among other weird design decisions).

If autofocus is what matters most to you then this camera will definitely appeal.

Vlogging with the Canon EOS R 4K

Canon’s mirrorless camera was supremely disappointing for us. As has most consumer products Canon released since the Canon 5D Mark II. However, a skilled photographer and videographer can do great things with this camera. It’s just that in this day and age we’re spoiled for options and many of Canon’s offerings are highly uninspiring.

Here’s a video showing the EOS R with a the large but great Sigma 18mm-35mm F1.8 lens:

Ursa Mini Pro (with Blackmagic RAW) versus Canon C200 RAW Light

This is an interesting comparison. While Blackmagic’s new BRAW is not identical to their true raw, it’s close enough for most purposes and it it produces nicer looking noise, grain, and skin tones. We expect most people will happily shoot in BRAW without ever looking back.

This comparison pits the new BRAW (on a Ursa Mini Pro) against Canon’s C200 Raw light: