BMPCC 4k Versus BMCC 2.5k

So many acronyms but you know we mean.  We’ve seen posts on some forums claiming that the BMCC 2.5k had a better, more filmic, more organic, less video, or more “mojo” look when compared to the Pocket 4K.  Now, these are different cameras with different sensors and different versions of color science.  It’s not unfair to postulate differences.  But we’ve yet to see any compelling evidence that the Pocket 4K’s image can’t be made to look magic.  We think the higher resolution, the neutrality of the colours, and the lack of noise in the footage make the output of the 4K lack immediately recognizable character.  However, like a good microphone, there is an advantage in having a faithful, neutral recording that you can later adjust rather than being committed to a certain kind of character from the outset.

This video nicely shows how close you can get the BMPCC 4k and BMCC 2.5k images:

More Reviews and Thoughts on the Blackmagic Pocket 4K

One of our favorite people, Paul Leeming of Leeming LUT Pro (we use his LUTS on all our consumer Panasonic cameras) made a concise summary of his initial findings with the Blackmagic Pocket 4K camera:

“I have to say the 12 bit RAW footage is SO much nicer to deal with in post than 10bit 4:2:2 😂 The cleanliness and separation of colours is lovely and they really pop, without any artifacting or colour bleed. This camera is simply stunning for the price! So far I’ve only been doing technical tests, in order to characterise the sensor. I will try to do some more beauty and artistic shots over the next few days to really see how it handles in a narrative sense, but I am pretty sure that it’s going to look incredible judging by the tech tests!!!”

We will be purchasing his LUT for the Blackmagic Pocket 4K as it’s just such a time saver for us.

We hesitate to post the next video as we feel Wolfcrow has mis-characterized the Blackmagic Pocket 4K in the past, but hey, it’s not for us to decide what you should or should not see:

Cinema 5D have also released their first look review:

Canon XF400 and XF405 Autofocus

We thought 1-inch sensor 4K camcorders would hit the market sooner than they did. Regardless, we’re glad to see them showing up. Autofocus matters hugely on these since they will be used for more ENG and event purposes than their larger-sensored siblings. Canon’s dual pixel autofocus has proven useful on their cinema cameras and appears promising on the XF400 line.

Video Quality: Several Mirrorless Cameras and the Blackmagic Pocket 4K

We have nothing against Max Yuryev. We find him to be honest and he corrects his mistakes. The thing about this test is that it’s testing resolution and sharpness, which is only one aspect of video quality. We would trade dynamic range and color for sharpness any day of the week. We’re still happy to see this test and appreciate the efforts that went into producing this.