The Panasonic GH5 is not known for having the best autofocus. It’s not totally unusable but it’s not the camera you buy if autofocus is your number one priority. I’m not sure why the Nikon Z7 is being compared against it, but we’re still happy to have the comparison.
We enjoy people being minimal and creative like Joshua Morin for his trip to Colombia. As technology continues to shrink we should expect even better capabilities from these collections of small gear.
This title might sound familiar but this is a new comparison video and worth a look. This is not a slight against the Panasonic GH5. It’s still a capable and valuable hybrid camera that for some purposes will be a better suited than the Pocket 4K. But for absolute image quality we cannot deny we prefer the Pocket 4K.
These are prototypes that are being shown in this video. We’re looking forward to getting a feel for the video capabilities of this camera, as Panasonic more so than all the other brands comes through on the video front for their consumer products.
This gets closer than previous comparisons into showing us the differences between the Panasonic GH5S and the Blackmagic Pocket Cinema Camera 4K. You can’t really go wrong with either camera, and there are reasons to choose one over the other. We’re still liking the image out of the Pocket 4K more.
Full disclosure: We are not at all a fan of Wolfcrow. His recent videos about the Blackmagic Pocket Cinema Camera 4K were actually quite disappointing as he got some basic things wrong and he spread some misinformation. However, no one is wrong invariably about everything and this video provides an overview of some of the features of the GH5.
Again, these are shot in ProRes with the Blackmagic cameras and thus we are not getting the full dynamic range possible. However, this test remains relevant because many people who don’t want to deal with RAW will shoot in ProRes.
It makes more sense to compare the Panasonic GH5S and not the GH5 against the Blackmagic Pocket Cinema Camera 4K as they have more in common. In this comparison ProRes was used on the Blackmagic Pocket Cinema Camera 4K which we know has less dynamic range than raw from other videos that have been posted. So expect additional dynamic range from RAW, although the amount is not clear yet (best case scenario would be around a stop but early indications appear to somewhat less than that).
I am hesitant to post this, but one of our sources who has significantly partially right before regarding a Sony product has reported the following:
- 26MP BSI sensor
- 4K 60P (4:2:0 internal and 4:2:2 HDMI)
- 18FPS and significantly improved buffer
- dual card slot
We have nothing to confirm/corroborate this report yet so please take it with a grain of salt.